Reading Comprehension 7

At the Weatherspoon Museum, I analyed an abstract work of art by Al Held. He, along with George K. Morris, use tight compositions to balance curvelinear and rectaliner forms. The word abstract also means to take away from, this is true of architecture taking elements of art during the modern movement.

In the painting ‘Giza Gate’ by Al Held, there is a relationship in contrasts similar to that comparing the past to the present in design. The dramatic contrast of black and white was the first thing that caught my eye. The severity of this contrast works equally well with the contrasting shapes. The circles and squares are opposites but they compliment each other. The sharp contrasts cause your attention to go back and forth between them. The shapes in this painting also take the form of architectural lines and space.

In the same collection was the piece Steinway Ghosts by Claribel Cone. This piece has a much less rigid composition than Giza Gate and most off the elements of the painting are free form. It is about as opposite of Giza Gate as it can get. It is full of color compared to Giza Gate, which is black and white. Steinway Ghosts was inspired from a piece of music and has many levels.

In the explorations unit we covered the arts and crafts, and art deco movements. Both of these design styles relate to and draw inspiration from art and hand craft techniques. We explored the intersection of art and architecture. We have always thought of architecture as art, now we see a direct influence in modern times. During the modern movement, many buildings are made in an artistic style as sculpture. Architects and designers incorporate new methods and experiment with new techniques. The modern movement not only incorporated new styles, it also drew upon inspiration from the past. As the modern movement took off, many women found careers as interior decorators. A prominent woman in the field at this time was Betty Joel, “her interiors reflect the geometrical inspiration of Art Deco mingled with the smoothness and glamour of the moderne” (Massey pg. 130). Many buildings have elements to them that are proportional as a work of art meaning they are small enough to fit into the overall composition while adding visual interest.